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    题名: 龍潭客庄詩社社群發微:以陶社、龍吟詩社為例;A Study of the Longtan Hakka Poetry Societies:Taking Tao Society and Long-Yin Poetry Society for Example
    作者: 劉金花;Liou,Jn-huea
    贡献者: 客家研究碩士在職專班
    关键词: 陶社;龍吟詩社;楚騷吟社;呂西安.高德曼;發生論結構主義;Long-Yin Poetry Society;Tao Society;Chu Sao Poetry Society;Lucien Goldman;Genetic Structuralism
    日期: 2015-07-20
    上传时间: 2015-09-23 11:35:58 (UTC+8)
    出版者: 國立中央大學
    摘要: 龍潭詩社的組織和淵源與臺灣社會之發展息息相關,本論文寫作方向係以龍潭客家庄詩社之組織發展脈絡為研究根基。本論文之內容,主要在呈現龍潭客家庄創始詩社-陶社與龍吟詩社(後改楚騷吟社)發展歷程、活動及文學創作之社會特性。
    本研究擬文獻及訪談兩者兼顧,以理論為經、實務為緯,陶社與龍吟詩社之文學作品和社會觀察,探討詩社活動對文化傳承之影響及在詩教推展上之貢獻,並試著從陶社與龍吟詩社詩人作品中探究其內容思想與社會發展之關係。
    本論文共分為五章,章節安排如次:第一章是緒論:包括研究動機與目的、研究範圍、文獻回顧與研究方法。以陶社與龍吟詩社詩人作品為核心,透過實地之田野調查蒐集第一手資料,再利用相關歷史文獻(如報紙、期刊、公報、地方志書…等),選取學術地位和藝術成就較高者,並以不同族群之詩人為取樣,剖析其作品,除彰顯文學特色之外,更希望藉由本研究採擷漢詩人之文本反映相當程度之社會面向。並試圖以呂西安.高德曼(Lucien Goldmann 1913-1970)所創立之文學理論「發生論結構主義」之研究方法進行分析,探討其超越文學、社會學、心理學的思考架構與影響及成就。
    第二章主要參考地方志書與史書,概述龍潭之地域環境與歷史人文。自然資源是形成當地人文環境之重要前提,在不同歷史時期和經濟環境影響下,觀察其文學之形式、傳承與進展之影響。再加上周密的田野調查,發掘珍貴文獻,以期瞭解龍潭傳統文學發展之時空背景。
    第三章就陶社成立背景、命名與組織、活動樣貌、支部成立因素、往來互動、發展歷程…等,進行觀察,並以龍潭地區傳統詩家為主軸,淺析其文學作品意涵。
    第四章就龍吟詩社成立背景、命名與組織、活動樣貌、往來互動、與楚騷研究會合併成中華楚騷研究會(通稱楚騷吟社)之發展歷程…等,進行觀察,並以歷任社長為主軸,淺析其文學作品意涵。
    第五章總結本論文研究成果、提出尚待持續研究之建議與未來展望。
    ;The organization and origin of the Longtan Poetry Societies are closely related to the development of Taiwan community. The methodology of this thesis is based on the research of the organizational development of Hakka Poets’ Society in Longtan village. The contents of this thesis are mainly focused on presenting the community characteristics of the development processes, activities and creative literature writings of the founding poetry societies, i.e., Tao Society and Long-Yin Poetry Society (later renamed the Chu-Sao Poetry Society) in Longtan Hakka village.
    This research consolidates both documental materials and interviews linking the theoretical and practical points together. Furthermore, this thesis investigates the cultural impacts on traditional heritage and explores the poetry societies’ (Tao Society and Long-Yin Poetry Society) contributions in promoting poetic appreciations on their literature writings and social observations. Also, this thesis explores the relationship between the intrinsic ideology and the development of social community through the works of Tao Society and Long-Yin Poetry Society.
    There are five chapters in this thesis. The first chapter introduces the research motives, purposes and scope, literature review, and research methodologies. The core resources are a collection of first-hand information obtained via fieldwork of the Tao society and Long-Yin Poetry Society, and supplemented using the relevant historical documents (newspapers, periodicals, bulletins, local chronicles, etc.) and interviews from poets with higher academic status and artistic achievements. The interviews encompass many different ethnic groups and include analysis of their works. The sampling of poets includes poets whose poetries have both unique artistic features, and a considerable degree of reflection on society status. The research utilizes the Literature theory “Genetic Structuralism” from Lucien Goldmann (1913-1970) to analyze and to explore the ideological structure, influences and achievements beyond literature, sociology and psychology.
    The second chapter is an overview of the local chronicles and historical documentation, coupled with careful fieldwork (excavation of precious documents), to get an overview of the Longtan geographical environment, both historical and cultural. Natural resources play an important prerequisite for the formation of the local cultural environment under different historical periods and economic environments; this thesis observes these effects in the form of its literary heritage and progress to understand the development of the space-time background of traditional literature in Longtan.
    The third chapter explores the background of the Tao Society, its naming and organization, its activities, branches, interactive exchanges, the development process, etc. The chapter also includes a review of the meaning of the Tao Society traditional poets’ work.
    The fourth chapter explores the background on the founding of Long-Yin Society, its naming and organization, its activities, interactive exchanges, the development process including the merging of the Long-Ying Poetry Society and the Chinese Chu Sao Research Society (known as Chu Sao Poetry Society). This chapter also analyses the meaning of prior chairmen’s works.
    The final chapter summarizes the results of this thesis, and proposes suggestions on further study and future prospects.
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