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顯示項目76-100 / 184. (共8頁) << < 1 2 3 4 5 6 7 8 > >> 每頁顯示[10|25|50]項目

日期	題名	作者
2014-08-25	十五到十八世紀中國貓圖像研究;The Study of Chinese Cat Paintings in the 15-18th Centuries	葉庭嘉; Yeh,Ting-Chia
2014-07-28	被建構的視角與感知的差異：以日治時期前輩畫家與紀元畫會畫家的觀音山為例;Constructed Perspective and Differences in Perceptions: the Guanyin Mountain Images Depicted by Famous Taiwanese Artists in the Japanese Colonial Period and Post-war Chi-yuan Painting Society.	張維晏; Zhang,Weiyan
2014-07-24	普普情色：Tom Wesselmann的 《偉大美國裸體》系列研究;Pop Eroticism: Tom Wesselmann′s Great American Nudes	許晏溶; Hsu,Yen-jung
2014-07-21	Mark Catesby 《自然史》插圖在十八世紀西方博物學圖像中的創新與意義;Significance of Mark Catesby′s Natural History Illustrations in 18 Century	趙昱婷; zhao,Yu-Ting
2014-07-21	收藏家的自我形象塑造：嘉德納夫人與其同代繪畫收藏;Shaping the Self-Image of the Collector: Mrs. Gardner and her Collection of Contemporary Paintings	蔡昀真; Yun-Chen,Tsai
2014-07-14	Fred Holland Day 畫意攝影中的男體形象研究;The Imagery of the Male Body in Fred Holland Day′s Pictorialist Photography	張哲彥; Chang,Che-yan
2014-07-08	孟克的《生命的飾帶》女性圖像研究;The Images of Woman in Edvard Munch′s The Frieze of Life	黃惠萍; Huang,Hui-ping
2014-01-20	晚清畫僧虛谷人物畫研究; The Study of Xu Gu's Figure Painting	周逸儒; Chou,Yi-Ju
2014-01-17	明遺民人物畫之身分認同─ 以諸葛亮、陶潛、寇湄的圖像符碼為研究中心; The Identification of Ming Loyalists' Figure Paintings─ A Study on Usage of Zhuge Liang, Tao Qian, Kou Mei as Symbols	孫帝強; Sun,Di-qiang
2014-01-02	跨越時代的視野：Walker Evans紀實攝影研究; Vision Traversing Times: A Study in Walker Evans's Documentary Photography	羅曉盈; Lou,Siao-Ying
2013-07-29	皮亞佐拉 (A. Piazzolla)《布宜諾斯艾利斯的瑪麗亞》（Mar?a de Buenos Aires）小歌劇（operita）研究; The Study for the operita of Mar?a de Buenos Aires by A. Piazzolla	王慧君; WANG,HUI-JUN
2013-07-25	越俗越雅：徐渭人物畫中的俚俗性; The More Vulgar, the More Elegant: the Vulgarity of Xu Wei’s Figure Paintings	林俐彣; Lin,Li-wen
2013-07-19	鏑木清方口繪版畫研究：以「泉鏡花系列」為核心; The Study of the Prints of the Izumi Ky?ka’s Series by Kaburaki Kiyokata	林怡利; Lin,Yi-li
2013-07-01	公共理念的實踐：1824至1865年早期倫敦國家畫廊的定位與革新; For the Sake of the Public: Defining and Reforming the National Gallery, London from 1824 to 1865	黃韻璇; Huang,Yun-hsuan
2013-06-25	竇嘉的《十四歲小舞者》：身體與法國世紀末的焦慮; Degas's Little Dancer Aged Fourteen: Body and Anxiety in Fin-de-siecle France	陳亭聿; Chen,Ting-Yu
2013-01-28	論Grosvenor Gallery展覽對於英國藝術的推展，1877-1890;The Grosvenor Gallery's Exhibitions and Its Promotion of British Art, 1877-1890	李昀; Lee,Yun
2013-01-25	二十世紀初西方人對宋代繪畫的看法──以Laurence Binyon著作為例;Western Conception of Song Painting in the Beginning of the 20th Century: A Study on Laurence Binyon's Publication	麥書瑋; Mai,Shu-wei
2013-01-25	清末民初圖案教育的建立與轉折;The Establishment and Transition of the Design Education in Early Twentieth Century China	顧志揚; Kou,Chih-yang
2013-01-24	二十世紀初中國古代繪畫的日本展示 ──以1928年唐宋元明名畫展覽會為中心;Japanese Displaying of Ancient Chinese Paintings in Early Twentieth Century : Focusing on the Exhibition of Masterpiece Paintings of the Tang, Song, Yuan and Ming Dynasties in 1928	李佳穎; Lee,Jia-Ying
2013-01-09	除魅與施魅：Goya 1797-99 年間的 巫術主題創作;Disenchantment and Enchantment: Goya’s Works of Witchcraft (1797-99)	梁云繻; Liang,Yun-ju
2012-07-25	狂態邪學不可觀焉？──論浙派在明代中晚期之評價與張路畫藝;Aren’t the “Wild and Heterodox” Paintings Worth a Look?—The Study of the evaluation of the Zhe School in the Middle and Late Ming, and Zhang Lu’s Paintings	汪瑜菁; Wang,Yu-jing
2012-07-19	日治時期赴中國之臺灣洋畫家－以劉錦堂、陳澄波為例;Taiwanese oil painters in China during the Japanese colonial period－Liu Chin-tang, Chen Cheng-po	張玉萱; Chang,Yu-Hsuan
2012-07-18	光照之域:Philip-Lorca diCorcia的編導攝影研究;The Illuminated Field: A Study on Philip-Lorca diCorcia’s Staged Photography	吳家瑀; Wu,Chia-yu
2012-06-21	想/ 像的雙面繆思：蘇菲．卡勒的《真實故事》;The Dual Muse of the Imagination: Sophie Calle's True Stories	莊憶萱; JHUANG,Yi-Syuan
2012-06-20	史特拉汶斯基歌劇《浪子歷程》之研究;The Study of Stravinsky's Opera, The Rake's Progress	張雅婷; Chang,Yating

顯示項目76-100 / 184. (共8頁) << < 1 2 3 4 5 6 7 8 > >> 每頁顯示[10|25|50]項目